Motion Design + Post Production
I'm passionate about motion design and post-production. Each project presents a unique challenge, pushing me to be creative and think strategically. Working closely with clients is super important to me, as it helps me understand their vision and deliver top-notch results that they'll love. I strive to deliver exceptional results that leave a lasting impression. Check out my recent work to see the quality and creativity I bring to every project.
Eleven Fifty Five Showreel
Eleven Fifty Five is an events company that wanted a showreel to showcase the large-scale events they have hosted over the years. They aimed to include hundreds of photos in this showreel, so I was brought on board to add motion to the photos and help them blend seamlessly with the video.
Their branding featured a collage style, which served as my starting point. Many of the photo sections would have a portrait video in the center, so I created a torn-edge frame for the video editor to use, helping to bring the entire project together.
BBC Teach
I worked with Redbricks Media on several videos for BBC Teach. The work on these ranged from creating motion graphics and lower thirds to making small edits to the videos from client feedback to get them over the line.
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See the full videos here
Videotile Learning
Before going freelance I worked for six years at Videotile Learning. Working in online training, I have created engaging and informative videos that help learners better understand complex topics. Whether it's through 2D or 3D animation, kinetic typography, or other motion design techniques, I am always striving to create designs that captivate and inspire.
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Since becoming a freelancer I have continued to work with Videotile and have created all the graphics for a whole suite of social media marketing courses.
Nobody's Child
I've worked with Nicholas Visuals on multiple campaigns for the fashion brand Nobody's Child. My job as a video assistant involves helping the videographer set up and backing up all the media during the shoot. I also put together a rough edit to speed up the post-production process and show the client what we've got on the day.
I was asked to take the video footage shot for Craghopper's CO2 Renu campaign and incorporate it into a motion graphic for their trade show exhibit. Style frames were provided for the project, which helped speed up the process by allowing easy adaptation of elements to a motion project.
Craghoppers
Many elements from the style frames needed to be recreated in order to bring some more dynamic motion to the final video, such as the step 1, step 2, step 3 section.
I created a landscape and portrait version of the final video, giving the client the freedom to change the display screen in the exhibition.
In collaboration with Nicolas Visuals, I worked on this social media campaign for the launch of Beauty Bay's Disney-inspired range. My main role on this project was green screen compositing and motion tracking.
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You can see the before and after in this video.
Beauty Bay
Here's Nicholas Visuals' final edit and you can view the social media videos here.
I have worked on both campaign and e-commerce video shoots for the brand Original Creator.
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Collaborating again with the Nicholas Visuals team, I have assisted on location shoots, providing a rough edit and logging and backing up all media on the day.
Original Creator
My role as video assistant for an e-commerce shoot is much more straightforward as there's less set-up and more time to edit.
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While only a rough edit will be achieved on a campaign shoot, almost all e-commerce videos will be completed on the day.
Mortgage Introducer Awards & Specialist Finance Introducer Awards
During the pandemic, I worked with Mortgage Introducer awards and provided them with my design services for their first online awards ceremony. After this successful collaboration, I was asked again the following summer to design for the Specialist Finance Introducer awards. This time, I created a tropical summer theme to match the aesthetic of the bar where all the live footage was filmed.
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When the world finally went back to being (relatively) normal, I was asked to create an introduction for the return of the live awards at the Old Billington in London.
